Archive for the 'Fonts' Category

Canonical takes the NIH syndrome to the next stage

This blog entry had tons of sarcasm prior to posting, but I edited it all out. I’m not a complete monster, you know.

So, I was googling for something today and stumbled upon a 3 weeks old (that is, nobody cares about it anymore) interview with Jane Silber, CEO of Canonical.

As a person currently employed in marketing, I certainly know how important it is to focus on good things that your company does when you are spreading PR with a big shovel. It’s more or less OK to make controversial statements, if you can keep the game on, but telling outright lies? No, I don’t think so.

Here is an interesting excerpt:

“The fact that GNOME and other projects now value design,” Silber stops, perhaps to reconsider the boldness of what she is about to say. “If you go back three years ago nobody was talking about design, nobody was doing user research. It is actually something we have had great influence on, by calling attention to it and putting our efforts there. I think, whether you like Unity or not, its existence has helped raise the bar across a number of projects. That is something that we feel good about; you can attribute that to our leadership in that area, even if it’s not our code and our design.”

Can you see what’s wrong with it? Let’s chop it up into smaller bits.

The fact that GNOME and other projects now value design

*sigh* She just had to say that, yeah?

If you go back three years ago nobody was talking about design

Dear Ms. Silber, I suggest you go five years ago, or even more, and discover Tango project. In 2007 I did an interview with them for GNOME Journal. It is real, and there is proof.

Probably you would  also like to find out that Ascender Corp. was comissioned by Redhat to create Liberation fonts and delivered them in early 2007. That  was just how many years prior to Ubuntu font family?

nobody was doing user research

How about Sun having done a usability study of GNOME in 2001, several years before Canonical was even conceived?

I think, whether you like Unity or not, its existence has helped raise the bar across a number of projects.

That, at least, is true.

That is something that we feel good about; you can attribute that to our leadership in that area,

And this is what it was all about: leadership.

I don’t believe that anyone who’s been with the company since 2004 could possibly not know all of that. So what was that? Canonical claims to have invented design and user research in free software? When did they start acting in the worst traditions of Microsoft et al.?

LGM’08, Fontmatrix

As promised before I start a series of postings about Libre Graphics Meeting and how it affects development of open source software.

Fontmatrix, as Peter Linnell says, is THE application for Scribus users: it is a new yet versatile font management application. This was the first application in C++ that Pierre Marchand, its principal developer, ever wrote, and it’s amazing how far it’s gone so far.
Continue reading ‘LGM’08, Fontmatrix’

Time to…

We ask our community to support Libre Graphics Meeting conference again. Last year we managed to collect 12K in few weeks and we put it to a really good use. I’ll be talking about LGM2008 in further blog postings about past, present and future of LGM.

Click here to lend your support to: Support the Libre Graphics Meeting and make a donation at www.pledgie.com !

PANOSE in FontMatrix

Fontmatrix 0.5.0 is somewhat delayed, but this is because of some internal work and, of course, quite a number of new features. Pierre Marchand, who is lead developer of FontMatrix, has just recorded a video that explains new interface to search for fonts by their PANOSE metadata. This is a just two or three days old code, so changes may follow.

On evil proprietary technologies

Some of you, people, dislike Novell for Mono. Next step would be boycotting any open source application that can make a good use of OpenType fonts. Because the OTF technology, you know, also comes from Microsoft. What’s “worse” is that Adobe participated too :)

Yes, I’m in a very linuxhaters mood today.

Printing food

What is it? Cooking classes? :)

cooking

Nooo! :) This is actually a Print Party by Open Source Publishing that is ongoing right now in a Wroclaw pub, just two days before Libre Graphics Meeting 2008. If you are around, don’t miss out tomorrow’s type design workshop.

On Xara and CDraw

Lately there has been some buzz around Xara again. People are pretty disappointed because of having not all of Xtreme source code available despite of promises. But people, c’mon — this company did a huge step forward. They have never had dealed with open source before and now they are part of an even larger company that also has never had dealed with open surce before. Showing them how unforgiving and agressive open source community can be is hardly something we really want in the end. Just treat people the way you want them to treat you.

On a different matter: XSane is rocking again with support for color management. Looks like we are having fully color managed and working environment for prepress Really Soon.

And yet another thing. We are finally running a logo contest for Open Font Library. If you feel like you want to contribute, don’t hesitate to do so ;-)

VIPS magic

Recently a friend of mine gave me a whole CD of scanned public domain fonts waiting to be digitized. The usual way I did it before is importing scans of every glyph into Inkscape, then drawing Bezier curves over those bitmaps and saving the result as plain SVG files, then importing them into a FontForge project (sadly, I’m not keen of FF’s native Bezier curve tool).

The problem was that each file is a ca. 7300×12400 px large, 8bit, greyscale PNG, varying from 8 to 13 Mbytes. Both GIMP, Krita and display of ImageMagick practically freezed my X session, trying to load it (I do have 2 gigs of tile cache set in GIMP). No image viewer I had around could display any of them without eating all of available resources. But I was still going to find some tool that would let me view and visually blast each scan into separate glyphs.

The solution came as nip2 — a front-end to excellent VIPS — a “free image processing system half-way between Photoshop and Excel”. Not only it loaded each file in a couple of seconds, but let me pan around and zoom and crop without any painful waiting, not even speaking about killing X.

I wonder if the related code from VIPS could be massively reused in other graphics applications, so that noone would ever have the experience that I had.

Creating fonts

I was lucky to attend a seminar on fonts organized by Paratype last Saturday. These guys are doing amazing proprietary stuff :)

It was pretty interesting to hear about their licensing policy (since I didn’t know much about it really) and their work. Before this event I used to think that fonts are a work of a single person, more or less supported by someone else after the death of original designer. As it turns out, two or more people can participate at creating or localizing a font, which is pretty similar to open source fonts design made by SIL and Linux Libertine guys.

Careful reading of Open Font License is still on my ToDo.

SVN at openfontlibrary.org

Jon Philips has created another SVN repo for OpenFontLibrary, the one we should have started with: openfontlibrary_fonts.

It has nothing inside yet, but as soon as I come around fd.o sitewranglers to have my password issue fixed, I will start uploading some stuff I’ve been working on for a while ;)

Anonymous access:

svn co svn://anonsvn.freedesktop.org/svn/openfontlibrary/openfontlibrary_fonts/trunk ofl_fonts

Developer access:

svn co svn+ssh://svn.freedesktop.org/svn/openfontlibrary/openfontlibrary_fonts/trunk ofl_fonts

If you want to contribute, go ahead and subscribe to the mailing list to tell us about fonts you are working on.